4,775 Royalty-Free Audio Tracks for "In C"

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: korg mono-polypatch name (pack): name the stainnote: c2midi note: 36.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: korg mono-polypatch name (pack): sun stormnote: c2midi note: 36.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: korg z1patch name (pack): z1 8 bit leadnote: c2midi note: 36.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: korg z1patch name (pack): z1 brass atmouspherenote: c2midi note: 36midi velocity: 31.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland jupiter 4patch name (pack): 2 x greeksnote: c3midi note: 48midi velocity: 32.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland jx-3ppatch name (pack): ivor evan biggurunnote: c2midi note: 36.

January 30, 2014. A major ice storm moves in to the east coast of the united states. Sitting in a small cabin in the woods of north carolina, the sound of ice particles (sleet) hitting a stove-pipe can be heard. It's cold. It's bleak. The power has just cut off. Sitting on the floor with a zoom h4n, i recorded the soundscape. Enjoy!. - christopher c. Courter.

1st release date: January 1939 1st recording date: 3/4 November 1938 Composer: Wolfgang Amadeus Mozart (1756-1791) Performers: Kathleen Long and the Boyd Neel Orchestra; Leader: Frederick Grinke (1911-1987) and on the piano: Kathleen Long (1896-1968) Work: Piano Concerto No. 25 in C major, K. 503 Content: 2nd Movement: Andante

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: korg mono-polypatch name (pack): mystery soundnote: c2midi note: 36.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: korg mono-polypatch name (pack): synth bass!note: c1midi note: 24.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: sequntial maxpatch name (pack): game over (1up)note: c2midi note: 36midi velocity: 64.

I'm creating a progressive loop that starts out with plenty of space between the sounds, but get progressively shorter to the point of overlapping. This is the base sound. I may work on creating a more cohesive pitch, but the dramatic pitch could possibly work for you. Key: c #minoralt key: 12abpm: 107 (does it matter?)environment: audacity for stupid simplicity. Use it however you want. From club, to smut, to funeral. If you get a chance to add a constructive review or criticism, i'll turn out better sounds for the community. Everything will forever be cc0.

Various operations with a hand pallet jack. Times & descriptions follow: 0-15;18 empty, l-r; 15;08-22;49 empty r-l; 22;49-30;17 various control sounds; 30;17-1:25;46 distant roll, load, move pallet; 1:13;06-1:19;38 warehouse ambiance; 1:25;56-1:45;00 loaded roll by l-r; 1:45;00-2:01;46 l-c, unload pallet; 2:01;46-end load pallet, move, drop off distant, roll by empty.

For this jazzyloop i used. Drumbot. Compiano chordsrandom progressionminor, 4 chords, 80 bpm, oo_odm, cm, c#6, f#9had to record straight to audacity. No export function. Drumbotcountry & folksmothness made a 4 bar drum sequence and exported as wav. This site (drumbot. Com) had no "bass function". . . Quick search led me to onlinesequencer. Nethere i made a bass line to the chords in 80bpm. Here you can only export to mid. . . Once again i had to record straight to audacity. Result this loop. No processing in audacity.

Good King Wenceslaus, is an 1853 English Christmas carol, set to the melody of "Tempus adest floridum" a thirteenth-century Latin carol for spring. It is here performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010. However, only verses 1, 3, and 5 are performed, giving it a somewhat disjointed storyline, which is very unfortunate.

A hyundai ix35 can be heard. It is started, runs a bit with isolated revs, and is turned off again. Before and after startup you can hear the car's control electronics. Feel free to use the sound; no attribution required. Feel free to write me in the comments what you used the sound for. Equipment:beyerdynamic mce 86 n(c)zoom h4n. File:wavmono48 khz24-bit.

Pasquale Amato's April 16, 1914 Victor Records recording of the Te Deum from Giacomo Puccini's Tosca. Sung at the end of Act I, this scene in fact details the evil priest Scarpia's plans to corrupt and have his way with Tosca, while the chorus goes about seeking redemption. Victor 88489 Pasquale Amato (1878-1942), baritone; Metropolitan Opera Chorus Tosca - Te Deum Mat. C-14715-2 Rec. April 16, 1914 Digital Transfer produced by Tim Ecker for the Internet Archive.

A canadian man yells lola palmer after realizing that people didn't know if he liked her anymore! many people on the road that day did not know what to make of it! i love sophie sugar 10093847877723678217736472689475%.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: fender chroma polarispatch name (pack): scratch padnote: c2midi note: 36midi velocity: 97.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland jupiter 4patch name (pack): vikings pad 2 oscnote: c3midi note: 48midi velocity: 64.

Marsz żałobny c-moll op. posth 72 nr 2Chopin's Funeral March, Op. posth. 72 no. 2; performed by Aya Higuchi; via Musopen.日本語: ショパン作曲『葬送行進曲』作品番号72-2、ヒグチ・アヤによる演奏。Musopenより入手。

Some guys across the alley were throwing things out the window this morning, which woke me up and ticked me off. Instead of yelling at them, i put up my mic and recorded the impacts. This is the raw audio from the recording (only mono, sorry, didn't have time to set up two mics). Some really nice impacts and other hidden goodies in here. Later i may take some cuts out of it and put them up. Mic: rode nt1-aposition: from window c. 30 feet away.

Experimento de bregman y rudnicky (1975). A) tonos estándar x y y condiferentes alturas. B) grupo de tonos distractores con x y y, que hacen difícil determinar el orden de x y y. C) la adición de tonos captores con la misma altura que los distractores provoca que estos últimos formen un flujo separado (agrupamiento por similitud), por lo que es más fácil determinar el orden de los tonos de x y y.

Note series from khen (แคน) instrument, use one note from this video:https://www. Youtube. Com/watch?v=qptdaygeb3k&t=29s. I already ask permission (นายอภิวัฒน์ นาสิงห์ขันธ์ mr. Aphiwat nasingkhan) and create other notes use audacity. No real khen have this wide sound range. Notes is c scale from c3 to c7. Record use unknown video camera 2019. 11. 17; audacity 2020. 05. 02 19:06. Ask permission (in video comments):ผมสามารถส่งเสียงโน้ตแคนจากพวกวิเดโอขึ้นfreesound. Orgได้ไหมครับ เวลานี้ผมไม่สามารถไปเมืองไทยไปบันทึกเสียงโน้ตแคนตัวเองครับ ผมขออนุญาตนะครับanswer:อภิวัฒน์ นาสิงห์ขันธ์: ครับผม.

Unrestored version. Enrico Caruso, Frieda Hempel, Maria Duchêne, Andrés de Segurola, and Léon Rothier perform "È scherzo od è follia" from Giuseppe Verdi's Un ballo in maschera (1859), in this 1915 Victor Recording. This is Matrix C-14660, recorded 3 April 1914 in New York City, and released under a variety of labels. ([http://victor.library.ucsb.edu/matrixDetail.php?id=200014967 full details).

(recorder: zoomh4npro 2018)(microphones: binaural roland cs-10em in-ear monitors). As these are recorded using binaural in-ear mics, i purposefully don't turn my head to keep the sound clean and coming from the same direction. Let me set the scene for this audio because i am a nerd. . . Burbank, california. A large apartment/condominium complex with an open courtyard and a beautiful swimming pool and hot tub. I'm done in the hot tub and walking up 3 flights of stairs to my apartment. Squeak. . . Squeak. . . Squeak. . . Sure to sound either intimidating or goofy. Depends on your show!. I kept the peaks very low to maintain a natural sound. Recorded on 11/20/2018 in burbank, ca. Enjoy!. Christopher c. Courter.

Io non ho che una povera stanzetta from act 2 of Ruggero Leoncavallos opera La bohème (1897), sung by Enrico Caruso in 1911. It is probably best to make this explicit: This is NOT from Puccini's La bohème. Ruggiero Leoncavallo, Puccini's contemporary, also made an opera based on the same stories, with the same name. While Puccini's version proved wildly popular, Leoncavallo's faded into obscurity. This is Matrix # C-11276 recorded 26 November 1911 (details)

The symmetry of Webern's tone row from Variations, Op. 30, is apparent from the equivalent, P1=IR1 and R12=I12, and thus reduced number of row forms, two, P and R, plus transpositions. Consisting of three related tetrachords: a and c consisting of two minor seconds and one minor third and b consisting of two minor thirds and one minor second. Notes 4-7 and 6-9 also consist of two minor seconds and one minor third. Created by Hyacinth (talk) 23:25, 19 October 2010 using Sibelius 5.

A very clean recording (no recognizable voices) of the moment a 737 comes in for a landing at raleigh-durham international airport (rdu). You will hear the sound in flight, the landing gear go down, touchdown, and the airplane begin to taxi back to the terminal. At the very moment the flight attendant keys her microphone, i cut the recording. This keeps you legally safe to use this file. Note: touchdown is at about 55 seconds in. . . Enjoy!. - christopher c. Courter.

This is a very clean recording (no voices or words that can be made out) of a 737 in flight from inside the passenger cabin. We were seated directly behind the wing. It's just a great recording of what the sound level actually is inside a 737 at altitude. It's a surprisingly low rumble and a true white noise. Enjoy!. - christopher c. Courter.

Full diatonic fifteenth chord from Listz on B

(recorder: zoomh4npro 2018)(microphones: binaural roland cs-10em in-ear monitors). As these are recorded using binaural in-ear mics, i purposefully attempt not to turn my head to keep the sound clean and coming from the same direction. Of course, if you don't want binaural audio you can always easily convert to mono. This is a recording of me approaching a soda machine in my apartment complex, swiping my credit card in the new, handy-dandy credit card slot, and dispensing a coke zero (in case you really needed to know). Safe for all production as it is voice free. I kept the peaks very low to maintain a natural sound. Enjoy!. Christopher c. Courter.

Amen break by the winstons [specifically g. C. Coleman] (at 1:26): (https://www. Youtube. Com/watch?v=gxzuq57_bym). I used audio source separator isse,(http://isse. Sourceforge. Net/), to separate the individual snare hits from the ride hits as well as the kicks,. I recorded the amen break samples to be separated with this amen break vst because it has good room reverb on it:. (https://www. Kvraudio. Com/product/db-force-the-amen-by-mastrcode-music). You can put this audio file in a splicer to make custom drum beats.

This is a simple sequence with chords - emaj, d#m and c#maj where i played on my midi keyboard "novation lanchkey mini" with using arturia vintage collection vst plugin - yamaha dx7, type - electronic organ and adding delay effect and reverberation. Sound like synth-wave or retro-wave stile, moderato, quietly and gently. Lounge. You can be using it for your needs, podcasts, samples, different projects, or just like alarm sound on your phone. Enjoy. Temp - 123 bpm.

I really enjoyed exetone studio's recording of a bell found here - https://freesound. Org/people/exotonestudio/sounds/416992/. I took this sample into melodyne and moved all of its frequencies into "c" range. This gets rid of harmonics and makes the sample well-suited to use as a musical instrument. I prefer the original sample for some purposes. Unprocessed, it has a richer sound. And i also truncated to get rid of a tricky bit i couldn't fix. And i combined stereo tracks into mono, since that works better for an instrument where one wants to control panning inside of a composition. So as a pure sound effect, i recommend the original. This version is just useful as an instrument.

Any thursday, 12:00 am more or less. I was sitting down in a bench, looking to the buildings opposite me, with the road at my back. My handy recorder zoom h4n in my hands. Some people was chatting next to a car and then they got inside and they left (you can hear that on the left channel. Got it? "left" channel :d). You can hear people passing from one channel to another, cars and motorbikes. It was in c/ bravo murillo (madrid, spain). In that part, it is a one way street for vehicles, so all of them go from right to left channel.

Bi-drum finale. This sound provides an impact point, an action conclusion suggestion. I combined two drum sound samples, one of the impact with a deep echo, and one a hollow wood tube strike against a hard object to a certain rhythm. The sound is somewhat like the primal drum sounds used in survivor. I used magix music maker, magix software gmbh (www. Magix. Com) with two object plug-ins; solar wood 6_ogg_001. Hdp, and right huge impact_ogg_001. Hdp. Enjoy. C gillespie sound library.

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from Act I of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details This file is heavily retouched from the original, including noise reduction, multiband spot compression, band-pass filtering, and spot repairs of clicks, pops, and NR artifacts. Edits made by Kevin McCoy, User:Kmccoy, and credit is appreciated.

This 1920 record is the first commercial recording of blues music by an African-American singer: "Crazy Blues" was composed by Perry Bradford for Mamie Smith in 1920, and sold a million copies in its first year.This is Okeh-4169 (7529 take C) Эрзянь: This 1920 record is the first commercial recording of blues music by an African-American singer: "Crazy Blues" was composed by Perry Bradford for Mamie Smith, and sold a million copies in its first year. Crazy Blues – blues w wykonaniu Mamie Smith z 1920 roku.

Shaking different water bottles, one has lots of soap and water in it, another has alcohol, another has a bit of water and a little soap. . . Http://upload. Wikimedia. Org/wikipedia/commons/thumb/c/c2/water_bottles. Jpg/512px-water_bottles. Jpg. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Recorded a basic drum and muted guitar loop at 105-bpm using ableton live 9. 4 notes per bar played on guitar in this order: d a c a. Drums are kontakt player "urban beats" default setting. Guitar is a single coil telecaster playing thru a reverb pedal (shift line's astronaut a+) and mic'd up w/ a ldc. Additional notes:-14. 8 lufs integrated-1. 8 db true peak max. Want something more customized? send me a note or visit myyoutube. Com/bainmack. Hope this helps and is useful for your next project. Cheers,bainmack.

36-string upwards glissando on a synthesized autoharp. Made with sox:. Sox -n -r 48000 -b 16 autoharp-up1648. Wav synth pl "f2" pl "g2" pl "c3" pl "d3" pl "e3" pl "f3" pl "f#3" pl "g3" pl "a3" pl "a#3" pl "b3" pl "c4" pl "c#4" pl "d4" pl "d#4" pl "e4" pl "f4" pl "f#4" pl "g4" pl "g#4" pl "a4" pl "a#4" pl "b4" pl "c5" pl "c#5" pl "d5" pl "d#5" pl "e5" pl "f5" pl "f#5" pl "g5" pl "g#5" pl "a5" pl "a#5" pl "b5" pl "c6" delay 0 0. 05 0. 1 0. 15 0. 2 0. 25 0. 3 0. 35 0. 4 0. 45 0. 5 0. 55 0. 6 0. 65 0. 7 0. 75 0. 8 0. 85 0. 9 0. 95 1 1. 05 1. 1 1. 15 1. 2 1. 25 1. 3 1. 35 1. 4 1. 45 1. 5 1. 55 1. 6 1. 65 1. 7 1. 75 remix - fade 0 6. 1 norm -1.

36-string downwards glissando on a synthesized autoharp. Made with sox:. Sox -n -r 48000 -b 16 autoharp-down1648. Wav synth pl "c6" pl "b5" pl "a#5" pl "a5" pl "g#5" pl "g5" pl "f#5" pl "f5" pl "e5" pl "d#5" pl "d5" pl "c#5" pl "c5" pl "b4" pl "a#4" pl "a4" pl "g#4" pl "g4" pl "f#4" pl "f4" pl "e4" pl "d#4" pl "d4" pl "c#4" pl "c4" pl "b3" pl "a#3" pl "a3" pl "g3" pl "f#3" pl "f3" pl "e3" pl "d3" pl "c3" pl "g2" pl "f2" delay 0 0. 05 0. 1 0. 15 0. 2 0. 25 0. 3 0. 35 0. 4 0. 45 0. 5 0. 55 0. 6 0. 65 0. 7 0. 75 0. 8 0. 85 0. 9 0. 95 1 1. 05 1. 1 1. 15 1. 2 1. 25 1. 3 1. 35 1. 4 1. 45 1. 5 1. 55 1. 6 1. 65 1. 7 1. 75 remix - fade 0 6. 1 norm -1.

Running through a gravel bed with thick gravel. I ran through a gravel bed of a supermarket parking lot. I think people thought i was completely stupid, but at least the running gave a good sound :-d. Have fun with the sound. As always, cc0. Recording device: zoom h5microphone: xyh-5date: 05 august 2020time: in the afternoon, 17:44place: schwanewede, northern germanyweather: 23 °c, sunshine, clear sky. Slightly windy. Humidity about 64 %, wind from west, 2-3 bft.

A la Nanita Nana, is an eighteenth-century Spanish Christmas carol here performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010. It is done bilingually, first in Spanish, then in English. The English translation appears to have been done in house by the Army, as I can find no evidence of any other usage. CSM Debra L. McGarity Modifications Levels adjustment - a basic linear tweak, with the lower notes being slightly quieter and the higher notes slightly louder. Also removed a slight tapping noise in the beginning, before the singing starts.

Enrico Caruso, Frieda Hempel, Maria Duchêne, Andrés de Segurola, and Léon Rothier perform "È scherzo od è follia" from Giuseppe Verdi's Un ballo in maschera (1859), in this 1915 Victor Recording. This is Matrix C-14660, recorded 3 April 1914 in New York City, and released under a variety of labels. (full details).

Audio-technica at4040 (mid)akg perception 400 (side)sound devices mixpre-6 @ 24/192adobe audition (edited, normalized, downsampled). Mics placed on pedestrian walkway facing dam spillway at a 45-degree angle from about twenty feet away at closest approach. Around 2pm, slightly breezy, approximately 26'c, sunny. . It's a funky mid-side configuration with dissimilar mics, i wanted to try this, expecting the at4040 to be a step up over the akg perception 220, but i knew this would be more dissimilar to the akg 220+400 pair. . . I've begun to notice how peaky the akgs can up around 5k-10k. What do you think?.

This if a sound i made a while ago. Sort of sloppy, yes, but i like it, and i hope you do, too. I do appologize for the back noise on the background music. And, yes! that is me doing the narration after a bit of vocal processing. (those screaming guys around -00:22:348 are not me. I love that part!) you can download that background song for free by clicking this link: http://www. Incompetech. Com/m/c/royalty-free/index. Html?keywords=truth+of+the+legend. That was a royalty-free song, so you have no cause for worry. If you wish to make a movie out of this, you may. Traintrack bob 1 & 2 don't even exist. Yet. Made with audacity.

I stood quite sheltered from the wind, above me the rustling trees from the breeze that was just blowing. In the distance a dog was barking. Nice stereo effect :-). The recording is edited. The recording is cut and the ends are faded in and out, 2 seconds each. Otherwise no further editing is done. This is my contribution # 3. Recording device: zoom h5microphone: xyh-5date: 01 august 2020time: morning, 09:48location: schwanewede, northern germanyweather: 24 °c, sunshine and cloudy sky. Very humid. Storm air. The clouds pulled together, a thunderstorm was brewing (but there was no thunderstorm). Humidity approx. 68 %, wind from south-southeast, 2-3 bft.

This is my attempt to emulate the sound of the harmony 64 chimes that can be heard on some ice cream trucks. I used a single note from a low-quality recording from a demo of the chimes for the base synth then cleaned up the audio using audacity and set the starting pitch to "c". (in particular, i used the first note of the "can-can" chime from http://www. Microminiatures. Com/tunes. Html). I then composed a short variation of a well-known song (bicycle built for two in this case). This loop can be used in games or other projects as long as you put a link to this sound's page in the game description. I hope you enjoy and any feedback is welcome!.